Moreover, the French horns symbolize Romeo and the flutes represent Juliet. Similar to Berlioz's use of motives, Tchaikovsky used themes to symbolize characters or events-conflict between the Capulets and the Montagues, the respected Friar Laurence, love between Romeo and Juliet, and the battle between two families. In 1880, the version that became what we know today was finished, but it was not until 1886 when this final version was premiered. Balakirev, however, was not satisfied with the version, and Tchaikovsky continued to revise it. The second version was premiered in 1872 and published in Germany. The lukewarm reception made Tchaikovsky take up the suggestions of Balakirev, who suggested the composition and revise the work. It was first completed and premiered in 1870. Tchaikovsky's Romeo and Juliet was a fantasy-overture, as the composer himself called it.
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